
Once Upon A Time,
…I received a call from my partner Chris and it was a Friday evening. He wanted to know if I'd like to ride up to Bristol, Wisconsin to the Renaissance Fair and help him drop off the jams and jellies he'd be selling that weekend while the fair was in full swing. I told him sure. We wouldn't see each other much around Labor Day. I would be out of town and he would be busy in Bristol.
It was a nice drive up and by the time we arrived darkness had fallen. Driving into the fairgrounds, past the trailers backstage that held the offices and the actor's changing rooms, we went through a gate, the other side of which was like entering a movie set, phony on the backside, fantasy on the other.
We got to Chris' little tent, unloaded all his boxes and arranged things like he wanted. It only took about twenty minutes and go figure, the klutz in me only dropped one jar of jelly. No wonder my mother wouldn't let me play in the house.
Once finished, Chris needed to use the phone to call his assistant, so I walked out into the dark and sat on the village green. Some benches were there and the May Pole stood about thirty feet away. Just beyond was the outline of a three story building, its roof slanting at a seventy-five degree angle, brown shingles and shutters in an exaggerated Tudor style. It seemed like one of those inns in Cinderella or Robin Hood.
Looking up I saw the big Dipper, clearly visible that night. Usually the light pollution was pretty bad in Chicago but fifty miles north of the city you could see some of the stars. Not like in Wyoming or Montana, but still enough to make the night sky sparkle a bit. The full moon cast a warm glow on the surroundings.
The village encircled me on both sides. Although used for vendors catering to tourists during the day, the buildings were designed to look like actual renaissance stores and homes. With no people milling about and no women in tube tops yelling at their kids to shut up, it was peaceful sitting there by myself. Noticing a light in the lower window of a two story building to my left, I suddenly thought, "It's like a little fairy tale town and the cobbler hasn't gone to sleep yet."
We had just seen the film The Brothers Grimm two nights before, so that set-up flashed in my mind. Fairy tales…knights in shining armor, villainous lords plotting to overthrow kingdoms, a sword in a stone waiting to make whoever pulled it out rightfully "King of all England."
I could picture the morning sun rising, the shops slowly waking up in some fanciful combination of centuries, for here there would be no "time." You were somewhere in a mythical land that was a combination of England, France or Germany. A maiden would skip through singing a song or Prince John would ride by, looking like either Claude Rains or a skinny lion with the voice of Peter Ustinov, it didn't matter which.
A dragon perhaps lurked in a small rocky canyon five miles outside the village, deep within the forest, and if you continued through the tangled brush, ravenous wolves would stalk you in the darkness. Another ten miles distant, a dark and evil castle loomed, perched on a sheer island of stone hundreds of feet high. Every once and awhile thunder and lightning outlining the towers, you'd see the rocky plain surrounding it covered with dead vegetation. This would be a place nobody would dare go.
An evil queen lived there and if you ever wandered through the pathways of the woods, even the wolves and trolls would stop thirty feet short at the edge of the forest, themselves afraid to go any further. But you would continue.
As a child, I was always into adventurous fantasy literature. I couldn't put Ivanhoe down until I finished it the first time, I relished The Three Musketeers and I still feel there has never been a more perfect adventure than Treasure Island.
I had been to the real Treasure Island in the British Virgin Islands twice. The first time some friends and I rented three sailboats for the week, dropping anchor in the bay of this desolate rocky isle. It didn't look like much, the only things on it were cactus and goats, but still, it was Treasure Island.
Nobody else would swim to it, nobody but me was driven to obtain that quirky literary goal, so I swam by myself. Once on land I walked all over, taking in a place which never actually existed, but yet…here it was, the island Robert Louis Stevenson had based his book upon. There were no palm trees, no jungles, no pirate skeletons still in costume, rotting away from some long ago adventure.
It just didn't sound like much fun to put an eye patch on a goat and imagine he had a peg leg, so I took two little rocks, one for me, one for my dad and started the swim back. It was actually quite a ways, but as long as you had a snorkel and fins, an easy swim. If you got tired, you stopped and floated on the water. God knows there was enough to look at down there. It took me a good half hour since I had to explore the fascinating things I was flying high above. Plus, I had two rocks in my pocket.
As I began, a tiny little tropical fish, the type you'd find in an aquarium with shiny silver scales and a slight diamond shape swam directly to the right side of my goggles. When I made a move to the left he immediately moved with me, to the right, same thing. I knew I was giving him protection from the larger predators and that was why he was with me. But in a fantasy movie the little fish would have pupils and irises in his eyes, he'd have a name, speak English and sing a song about being my buddy.
I came upon a giant manta ray once I hit thirty feet, it looked like a bird down there. I followed him, but naturally I couldn't keep up for very long and when I stopped I was even further from the boat than before. A sea turtle was twenty feet away and once I made a move he turned around and went in the other direction. Thousands of fish down below, the closer you got to shore the brighter they became due to the reflected sunlight, in deeper water they'd disappear in the blue.
Coming closer to the boat I dived as far as I could without the pressure being too much and looked up at it floating there. If it was a pirate ship, it would be a huge wooden hulk of a monster and none of them would know I was below, slowly swimming out to recapture my prize.
Once on the boat I actually felt guilty about the little fish (yes, I'm weird). But, he had followed me out here, it wasn't my fault it was deep water and he was now in more danger than before. I hoped a beautiful mermaid would suddenly swim up from the Caribbean Sea floor, certain I was gone and lead the little guy back to the shallows.
Such was my ability to live out my dreams in my own head. Not like someone who had no life and lived what little they had through books and movies, someone who couldn't get a date to save their soul and lived with his parents until he was forty-two.
But someone who would never really let their childhood go.
I had several recurring dreams as a child. One of them involved a tiger and I was trying to get away, usually by climbing a tree. He would reach out his claws trying to catch my feet but he never succeeded. Who the hell knows the symbolism of that within my psyche?
Books on the interpretation of dreams seemed too hokey for me. A tiger might mean death to one person, a departed spouse to another. I'm sure it must have meant something but who knew, perhaps the tiger in my dreams just meant I had gas.
The other dream I had on a regular basis always involved several things. Number one, I could fly. Number two, I was only an inch tall. And number three (You're going to roll your eyes on this one), I could step into my favorite ride at Disneyland.
I went to Disneyland often as a child. It was always the beach, Movieland Wax Museum and Disneyland, like clockwork on every California vacation. Oh…and lots of gift shops in between for Mom and plenty of historical plaques far off the highway in deserted areas for Dad. With Mom looking pissed off for having been drug that far and to a place with no gift shop.
One early childhood memory is of me wearing a Pinocchio hat and meeting some little boy on the motor car ride in Tomorrowland. We hit it off immediately, we must have been maybe five or six years old, I can't quite remember, but I was very young. I have no idea why this was permitted by either my parents or his, but we went by ourselves to a few of the rides. I look back and try to imagine why it happened, things weren't that safe back then, but I distinctly remember it was dark out, the park was crowded and we ran together without any adult chaperone to the Peter Pan ride, the Alice in Wonderland ride and the Storybook Boat ride. The little boy had dark hair while mine was pure blonde and I tried to switch hats with him because he looked more like Pinocchio than I did and besides, I wanted his baseball cap.
On Peter Pan, we rode a flying pirate ship high over miniatures of London and Never-Never Land. Just models, but to a child, it isn't hard to blur the lines of reality and fantasy. We were just itching to jump out into the fantasy but we weren't stupid, of course. We knew we'd probably break the fiberglass and get in trouble. At that young age I didn't even know Walt Disney was dead and thought he would actually come out and tell my parents I had broken his ride. Of course, being the kindly old uncle he was to children, he would then pat me on the head and take me to the real Never-Never Land since he knew where it was.
Just beyond the Alice ride was Storybook land. Passengers in a little boat headed down a canal directly into the giant jaws of Monstro, the whale from Pinocchio.
Earlier that day I would not get on the Storybook ride. My parents tried and my brother called me a baby, but I wasn't stupid. I saw those boats go straight into Monstro's mouth with all those huge teeth hanging down. I kicked and screamed, but logic told me human beings should not sail directly into the jaws of a monster. What if we didn't get out?! What if the whale didn't open its mouth when we built the fire? Of course, I didn't notice the whale never moved. He didn't even blink.
My mom took my brother somewhere, probably to the Frontierland shooting gallery, but Dad walked me to the beginning of the ride. He said I didn't have to go on it but he made me watch some people get into the boat and he pointed out a little girl, probably wearing something distinctive so I'd remember her. They sailed into the whale and eventually came back out again around a little miniature mountain five minutes later. Dad made me wait the entire time to see that the girl survived. A little more relieved, I still wasn't quite sure. Maybe the whale was asleep and she was just lucky. Nope, I wasn't going to chance it.
Dad gave up at that point and we moved on to something else, but later that evening, when I was with the little boy, we headed towards Monstro. He had suggested it and I wasn't about to look like a sissy if he was so secure about being swallowed by a whale. Besides, I had the Pinocchio hat, he would be the one to turn into a jackass if things didn't work out. I made up my mind that since Pinocchio lived and was washed up onshore in the movie, I could probably make it because I knew how to swim.
We got in the boat and as we floated towards the beast, I was terrified. Those giant teeth passed right over my head, and holding onto sheer internal panic I just knew the jaws would snap shut and bam…we were going to be fish food. Once we were totally in the whale and I opened my eyes, I saw a hole in his backside we soon floated out of. At the time, I'm sure I didn't catch the irony of that little anatomical symbolism, I was just relieved we were safe.
But, once you were out of the whale…man, you saw a little miniature world. The trees were tiny, Pinocchio's village was tiny, miniature alps loomed behind the village. I could see the tree with the rabbit hole Alice had gone down and Ratty's little house was next to the riverbank, just like in the Mr. Toad movie. Cinderella's castle towered on our right. The cottage of the seven dwarves stood in a little forest, a foot high, probably not even that. So detailed, the artistry so well done on these miniatures, it was like I had floated into an animated feature.
I loved the ride after that. When we got back to our parents, who were having soft drinks near the castle, I bid the little boy goodbye and made my dad ride the boats with me.
"What the hell happened to the damn whale complex he had?" my father said. "I can't get through to him, but a five year old he met on a speed car can?"
Well, a parent is much different than a buddy. A buddy doesn't force you to do something, he dares you to do it. There's a little peer pressure involved and you've got an image to maintain.
From then on, whenever we went to Disneyland, which was often, I raced to the Storybook ride. And because of that moment when I faced my fear of Monstro, I began to have a recurring dream that lasted off and on until I was a teenager.
In the dream Monstro was real, but somehow nothing to be scared of anymore. He had a magical power within him and rather than just come out the other end into a miniature world, I would come out a miniature myself, as would the boat and I'd pull up on the nearest shore.
Once in that land I could suddenly fly, sometimes just going for it, like Peter Pan. At others it would be on a broomstick like Angela Lansbury. But in these dreams the flying didn't simply happen, I had to work at it. When free-flying I'd use my body to pull myself through the air, like a fish in the water or a bird working its muscles. If it happened to be the broomstick dream I didn't get on it and go. Just like in the movie, I had to say magical words first.
The broom would fight me, like a new horse you were riding for the first time that was testing you. Once the broom knew I was the boss, off I'd sail, not smoothly, but with the laws of gravity moving me up and down slightly until I got the hang of it. These dreams were so vivid I could feel the movement along with the wind in my face.
On the broomstick I didn't have to work as hard, but I also didn't have the ability to dive quickly and dodge through a forest amongst the trees. I was controlling a vehicle that didn't have the reflexes I had.
Once airborne I could go anywhere I wanted. Pleasure Island with its Carnival rides, I could drop down to the little village and look in through Gepetto's candlelit window. I'd fly into the world of Brer Rabbit and zoom over the briar patch, or if I wanted, stop by the circus and glide alongside Dumbo. As the sky darkened I'd head down the canal to a bayou where a moss covered old riverboat lay abandoned on a sandbar, a little girl held hostage inside until she found the Devil's eye diamond, which was in a sinkhole nearby I could sail right into.
Flying towards a nearby forest, I'd see a road winding towards the covered bridge of Ichabod Crane, only I didn't dare fly through. The exit was always blocked by the Headless Horseman.
No, I always flew over the bridge and eventually Bald Mountain would loom in the sky, the ghosts and skeletons of the dead flying up on their way to visit the devil, but I turned around and headed the other way once I caught a quick glimpse of the horned monster, hundreds of feet high, towering above everything else.
Later, the countryside would lie quiet and visible in the moonlight, here and there a castle or two, perhaps the windmill from The Aristocats. Over the hills and farms dogs could be heard barking to one another across the distance until the barking stopped at an old barn just a little ways away from a large eerie mansion where ninety-nine Dalmatian puppies were hidden and a long Dusenberg could be seen careening down the road towards them.
Closer to London, I couldn't get too high on a broom. Only by free flying could I climb high enough to observe the twinkling city far below. Through the clouds, past the second star to the right, finally…there was Never-Never land, Skull Rock plainly visible with the tide coming in. A pirate ship in the bay shot a cannonball up toward me, but of course, I was always fast enough to dodge it. I couldn't do that on the broom and back in the English countryside it was harder to avoid the Nazi shells as the floating suits of armor marched under me, waiting for my command.
I could rest on a cloud like Mary Poppins or freefall straight down into the water and discover the ballroom where all the little fish danced. Swimming up to the Island of Naboomboo, I'd find a raft rigged up on shore and sail it over to Duckburg, Uncle Scrooge's giant vault perched high on a hill. Spotting the Beagle boys nearby, plotting to break in, I'd steer clear of them, but once I met up with Donald and his nephews, I'd have adventures anywhere…the jungles, Mount Vesuvius, an old west ghost town, the Arctic, the Seven Cities of Cibola, anywhere.
I had that dream many times during my childhood. Never much of a participant in the stories, I could simply observe the goings-on. In the dream I could visit any fantasy world, it didn't have to be Disney. Oz, Camelot, Skull Island, Mount Olympus, it could be anyplace I wanted. It just had to be mythical, wonderful and unobtainable. But for me, it was obtainable because I had conquered Monstro and knew the way.
Only me, I was the only one who could observe these places and adventures. It was my special little place that really never disappeared inside, not even after all these years.
When I was twenty-three, I went back to visit New York a few years after I graduated from college and went on a date with an NYU student who was going to be a screen writer. We saw Into the Woods, a brilliant musical by Sondheim that showed how fairy tales and life don't
always have happy endings. Sometimes they do, sometimes they don't. It was all about personal and emotional choices and living with the consequences.
So intrigued by the plot, the next day my date gave me a book called The Uses of Enchantment, written by Bruno Bettleheim, the child psychologist. It studied the importance of fairy tales in a child's life and education. It especially concentrated on the Grimm's fairy tales, which had been modified over the years when handed down verbally. Created to give children the education they needed to get through life, the tales prepared them for violence, death, pain and joy. That's why the tales tended to be so dark, things were rough back then and life was short.
It was fascinating stuff, putting a new perspective on those stories, but it was definitely not like my little fairy tale world from the past. Everything was good there and everything was fun, even the villains were exhilarating to be scared of.
As I sat in the moonlight at that deserted Renaissance Fair I could picture a giant boat slowly drifting by beyond the village buildings, so big it towered over everything. Behind me, on the other side, I could see those snow covered Alps and Gepetto was still leaving his candle lit in the building directly in front of me. With a little imagination and for just a minute or two... I had walked into my childhood dream.
It was time to go. Just before I got into the mini-van with Chris, I turned around and took one last look.
And a little five year old boy said "Thank you" to Monstro.
... And he lived happily ever after.


