
DAMES
When you listen to her you’re hearing a great actress deliver a song with an incredibly rare and specialized technique. From a throaty whisper to a high-pitched trill, her four-octave range hits notes I imagine only dogs can hear. She can scat like a clarinet yet when she interprets a lyric you know you’re in the presence of someone who’s lived, really lived.
My passion for her sound started in college. I had been having a hard time my freshman year with consonants in the songs I chose. I would mush the lyrics together, making most audiences strain their eardrums trying to understand what the hell I was singing about. I certainly needed one on one training to produce words clipped and intelligible. I sounded like one of those adults in the Charlie Brown episodes.
My vocal instructor, rather than grill me herself, simply said, “Go buy an album called That Old Feeling by Cleo Laine. It’s her, piano and a bass. Study it and you’ll never have trouble being understood again.”
I got it, studied that thing day in and day out, wearing through three cassette tapes. (I hope Ms. Laine needed the money). Not only did it get my instructor off the hook of doing it herself, it gave me an excellent master class in technique and interpretation.
A month later, all us students were given tickets to Broadway Salutes the Lincoln Center, a benefit, and there I saw her live for the first time, singing “Bill” from Show Boat. I was stunned at her vocal control and acting.
That same year, 1986, she was on Broadway in The Mystery of Edwin Drood and I went to see her five times. When my parents came in to visit one spring weekend, I knew their Iowan tastes couldn’t handle most of the shows in New York at that time. If Minnie Pearl wasn’t involved, they wouldn’t understand it.
However, I knew they would enjoy the bawdy music hall humor of Drood, so I took them and I was right, they loved it. Dad even made the comment, “That Cleo Laine is a saucy lookin’ gal ain’t she?” a compliment from him if there ever was one.
During the run of the show on my way to work after school, out of Tower Records she came as I opened the door. Smiling, she said, “Thank you” but I was so young and shy I couldn’t even mumble out, “You’re welcome,” let alone tell her how much I admired her work. I just stood there as she walked away, in pink sweatpants, probably wondering why this American was so rude he didn’t respond.
All that studying of That Old Feeling and now I couldn’t even open up my mouth to form words.
My manager, Big Dan, later approached me, saying, “What the hell are you doing, moonlighting in the marketing department of Edwin Drood?!” When I shyly said sorry, I couldn’t help it, he laughed and said he’d been to a party the night before. Rupert Holmes, the creator of the show was there also and mentioned some young employee of Dan’s who wouldn’t stop shoving the new album down his throat.
He told Dan, “I appreciate the help, but come on ... I have my own copy.”
Still airsick from the flight, Fred got carsick in the cab. “Please don’t puke all over me tonight of all nights,” I told him.
“I can’t help it, I’m sick! That was the absolute worst flight of all frickin' time!”
“Uhhh, I believe Buddy Holly might disagree with you on that,” I said as he smacked me on the shoulder while the eavesdropping cab driver chuckled. For a minute I thought Fred was going to smack him too.
We had a nice dinner at the club, it looked like one of those intimate movie sets from the forties with tiny little tables, candles on them.
John Dankworth, who was Cleo Laine’s husband and a very famous jazz musician in his own right, came out first, playing a few numbers and romancing a pretty mean clarinet. Dame Cleo then walked through the crowd onto the stage wearing a long flowing orange and purple gown.
Fred perked up, “Oh, I recognize that dress! She passed by me in the hallway on her way to the ladies room!”
I just looked at him. “Atta boy, take you to a classy place and you have to bring up you stalk the entertainers while they’re peeing.”
“That’s Dame Judi Dench,” she piped up from the back of the bandstand.
Doing a slow turn and giving her a look, he paused for a moment. He then turned back to the audience, saying, “Sorry ... Dame Judi Dench. You know how picky those Dames are ...”
Every once and awhile he would speak to the audience while she’d converse with the band about the next song. Whenever he’d make a comment to her, she would just say, without looking up or even acknowledging him, “Yes, dear ... that’s nice dear,” and go back to the sheet music with the pianist.
At ease enough to joke verbally, they were also comfortable meshing together instrumentally, making some of the most luscious sounds I’ve ever heard up close.
I could have kicked my college voice teacher in the ass, all that work studying the album went right out the frickin’ window again. This was my second face to face encounter with Cleo Laine and I still couldn’t form words. She caught me so off guard I’m certain there wasn’t one consonant in my reply, it was all vowels.
She kept going, probably once again wondering, “Why are Americans so rude?” while her husband stopped by the desk near me. With John Dankworth, I was able to actually form a conversation.
Five minutes later, I headed to the lobby. Once Fred saw me he backhanded me on the shoulder, saying, “Where the hell did you go? I spent five minutes talking to Cleo Laine.”
“I was talking to her husband and the maître d. I saw her, but I felt like a rabbit on the highway.”
Fred said Cleo had asked where he was from, and he had told her about me having seen her so many times, the whole spiel, the college recording, the Drood thing, all of it.
When Cleo asked, “Well, where is he? I would like to meet him.” she didn’t realize she just had.
I was the blithering idiot inside who couldn’t say, “I’m fine. How are you?”
“Her dress was so beautiful up close!” Fred mentioned. Being a designer in Canada, he never could keep his excitement for fashion in check. “I asked what material it was. It had such a nice feel to it…”
“You pawed Cleo Laine’s gown? This isn’t Bugtussle, TN and you’re not picking out gingham samples for Grandma Walton! She’s a Dame, you don’t paw her clothes! She’s one of Princess Margaret’s best friends!”
Fred narrowed his eyes. “She’s a living person who pees just like everybody else. I know, I saw her head to the ladies room. Besides, she was nice and didn’t seem to mind. She even liked my scarf and asked what material it was made out of. So, you can just put a sock in it, you obsessed groupie. I’m surprised you didn’t throw your underpants at her on the stage. She’s just a human being like me.”
“Yeah, but I don’t call you Dame Frederick. Sometimes I call you that damn Frederick, but never a dame. Although at times you do act a bit like Dame Edna…sort of look like her too.”
I was once again subjected to a barrage of words a sailor would have been hard pressed to come up with, and we headed out to a piano bar, since Fred loved to sing and cruise.
It’s amazing the things life throws you. Like a boomerang, you get popped in the head when you aren’t looking and those things come back full circle. Perhaps that explains my kooky behavior, I’ve got dents left and right where fate waited around a corner and bam, I got hit. If you ever see me walking around and I appear to be ducking, you’ll know why.
On Sept. 3rd, 2008, Chris and I headed to San Francisco for yet another round of hiking the national parks. This vacation was a sudden one, Chris’ natural mother had been diagnosed with liver cancer a month earlier so we had purchased the airline tickets when we found out.
Unfortunately, or perhaps not, considering how devastating and painful the disease can be, she passed away two weeks before the trip. Chris flew out on his own to be with her at her home on Castro Street, just down from the nation’s gay mecca.
Due to the emotional stress he’d been under, he thought it a good idea that we go out there anyway to relax and regroup… so, within a week of returning to Chicago, he was back on the coast, only this time with me.
The day before our flight I got an email saying Dame Cleo Laine would be in San Francisco for a series of rare concerts at a small jazz club. Now that she was eighty she seldom toured and I had assumed my moments with her five years earlier in New York would probably be the last.
She had popped up so many times in my life like that, unexpectedly, spur of the moment. There was one evening ten years ago when I was chatting with friends on a Friday afternoon. I opened up a local magazine and an ad stared me right in the face with Cleo’s photo on it. Fifteen minutes later I was in a cab heading downtown to a jazz club, and the maitre ‘d sat me ten feet away from the stage next to three lesbians. Once again, I heard Cleo’s creamy, soulful voice enrapture everyone around me.
Almost every boyfriend I’d ever had attended her concerts with me. My parents, various friends I’d known and lost throughout the years also. People come and go in one’s life, but it always felt Cleo’s beautiful voice provided the background music.
So, once again, there she was, in a tiny little jazz club two blocks away from our hotel in San Francisco and this time Chris was sitting next to me while Sir John Dankworth opened the show, proving once again why he was known as the Benny Goodman of British Jazz.
When he introduced his wife, she slowly walked by me out of the darkness, wearing another flowing gown and following a club attendant who was shining a flashlight on the floor in front of her so Cleo could carefully make her way to the stage.
Both Sir John and Dame Cleo were now a bit stooped over, but once they started making music together I was taken back to that night when I marveled at their sound in a sold out Avery Fisher Hall at the Lincoln Center.
They had both been in their mid to late fifties, then. I was eighteen and three years away from beginning my life as an openly gay man.
Now I was forty-one and they were both eighty.
So much had happened to me in between that time and as the concert unfolded twenty feet away in this tiny little club, it didn’t feel like a concert at all. With every song wafting across me I thought how lucky I had been to have shared two such magnificent artists with so many people who still meant a great deal to me, even though they were no longer part of my life.
Once again, it was literally two “married folks” onstage, ribbing each other with Cleo trying to tell a story and her husband interrupting.
“Would you like to tell this story?” she asked. When he continued on she walked over, handed him the mike and dryly commented, “Obviously you do…” giving both Sir John and the audience a good natured look of “I have to deal with him all the time.”
Their love for each other was a constant dynamic, just like that first time I saw them.
I was, literally, all smiles throughout the entire show and as Cleo sang “I’ve Got A Crush On You” it wasn’t until she finished I realized I had tears running down my cheeks. Not over the top drama queen tears, but heartfelt “What a beautiful life I’ve been given” tears. That song had been on the first album I’d bought, That Old Feeling.
Chris was enjoying the show almost as much as me and as I looked over at him, he was smiling too. The song took on so much meaning while I watched him fall under the Dankworths’ musical spell.
Leaving the stage, Cleo once again slowly moved through the crowd, carefully watching her steps as she passed me on the way out. Looking up at me, she smiled and for the first time, I was actually able to form words with her.
“Thank you.” I said, truly meaning it.
Looking directly in my eyes she paused and elegantly replied, “Thank you…” before moving on to the exit.
I suppose this sounds so fawning and over the top, when one appreciates a star they should just say “Enjoy…your…work.” but to me, this wasn’t just a star. She was a living scrapbook of my own memories whose voice had always been there.
She didn’t know me from Adam, and it doesn’t matter, but I felt enormous contentment that I had finally been able to say something to her without appearing to be verbally challenged.
After a nice conversation he introduced us to his wife and while I was still a bit in awe, this time I had a pleasant conversation with her.
When I mentioned my college teacher’s assignment, Dame Cleo laughed and replied with a lot of humor, “Well, did you learn anything?”
“Every time we say goodbye, I cry a little. Every time we say goodbye I wonder why a little…”
She said “Adelaide was in her nineties and she gave me hope I’ll still be around singing when I get there…” while the audience applauded.
Perhaps it wouldn’t be goodbye this time. I mean, there were still ten more years to go until she hit ninety and I hit fifty-one. That’s enough time for many more moments of opening up an email or a magazine and finding her once again, just around the corner. And a lot more adventures with her voice in the background.



